Cataloguing Collections: How We Do It At The NFSC by B.Jishamol
- 1 Importance of Folklore
- 2 What counts as folklore collections?
- 3 Source For Folklore collections
- 4 Organising materials for access.
- 5 Questions to field worker
- 6 Documentation of folklore materials
- 7 Video login sheet
- 8 Audio log sheet
- 9 Photo log sheet
- 10 Corresponding data sheet
- 11 Labelling of NFSC audio-visual archive
- 12 Archive of Indian Folklore
- 13 Digital CD Library
- 14 Copy of all originals
- 15 Organising materials
- 16 Index sheet
- 17 Press Clippings
- 18 Finding aids & Bibliography
- 19 Important Points for Finding Aid
- 20 Physical access information
- 21 Physical control information
- 22 Content access information
- 23 Indexing terms
- 24 Finding Aid
Importance of Folklore
Documentation and interpretation of traditional culture is the heart of folklore. It includes recording and analyzing these traditions along with historical and cultural information by using photographs, videos, audio recordings, drawings, and field notes.
What counts as folklore collections?
The folklore collections are not depended on one area alone. It varies from group to group, expression to expression such as stories, songs, jokes, proverbs, music, dance, beliefs ranging from spiritual beliefs to racial and ethnic stereotypes; medicinal and healing practices; festivals and other community gatherings; food ways and material art forms such as vernacular architecture, carved objects, graffiti and embroidery.
Source For Folklore collections
The source for Folklore collections can be referred from various persons such as Historians, Sociologists, Anthropologists, Ethnomusicologists or Photographers. All these references are important and it varies from one area to other. Also some references may be pointing out on a particular topic or a particular region. Actually, the duty of the archivist starts from here who in turn assist in assessing the resource.
Organising materials for access.
The duty of the archivist now comes to the next step. They have to access the received source materials one by one with the help of the field worker. This is most required since the materials differ on various aspects such as historical,Cultural geography, Psychology, Linguistics and arts. For example a historian will concentrate more on the names of the places while a research scholar will be keen only on the cultural aspects. Thus, the accessing the source material is very important.
The work of the Folklorist must be balanced between the requirements of other disciplines and other users. The use of keyword holds importance on a general point of view.
The third step of the archivist is to gather essential information about the history and context of the collections. It also includes contacting the people related to the collection. In case of donated articles, it is the duty of the archivist to have the contact details of the presenter.
Questions to field worker
How are the materials arranged? Are there any particular aspect to the followed?
The first preference is given for date wise arrangement. Secondly if there are more narrations on a same concept, they are then arranged narration by narration.
Are the materials used for more than one Folklore items?
If the concept is same and if the source material has got more space, then more folklore items can be recorded in the same casette.
Are the records created by the researcher themself?
There are two types of records. The first will photographed and recorded by the researcher themself and the second being a donated material.
Are all the records created by the folklore organisation?
Most of the records will be created by the folklore organisation or from a sister organisation also dealing with folklore studies.
Is there any records created from a non – folklore organisation?
Individuals who do not belong to Folklore Organisation do submit some records and it is documented along with the justification materials.
Documentation of folklore materials
The folk materials are documented by uploading it in an audio or a video sytem and also through maintaining photographs. These in turn act as material evidence for further studies. These source materials should be safeguarded properly or else they may cease to be of any help in future. Also the documentation of source material involves lot of time and are expensive.
Video login sheet
The Video logsheet has three important divisions such as the
1. Time code - This shows the time during which the pariculars where video graphed
2. Field note - In this case all the landscape, costumes day to day activities will be logged in.
3. Detailed note – This will contain the detailed description of the field note.
Audio log sheet
The audio log sheets are similar to the video log sheet.
Photo log sheet
The photographs are converted into CD (Compact disc) for better maintanence. Each roll is being printed in index sheet (A4 size)for easy reference.
Photographs documented has to be logged in containing the description of the person who had documented the particular photo,the meaning of the photo along with the field information such as place and date.
Corresponding data sheet
The corresponding data sheet is the main link for all the available data in the archives. The three main sources such as audio, video and photograph will have this particular column where in details of all relavant materials will be stored making the access task easy.
For example, if there is an audio log sheet, its corresponding data sheet will have datas like related videos, photographs, bibliography, newspaper clippings and other source related to that particular Audio. This type is followed in all the log sheets.
Labelling of NFSC audio-visual archive
The Labelling of the audo - visual archive involves many stages. As soon as the materials are brought to the centre, they are organised date wise with the help of the field worker. They are labelled in an order. For Example,
State - TN - Tamil Nadu
Form - Oral Narratives
Name of the project - Transgenders
Media - Film Roll Number 01
Further details - Photo number 27
In this project all the code words remain the same but
FR - changes
V - video
A - audio
CD - Compact disc
Archive of Indian Folklore
The aim of the centre is to create a comprehensive audiovisual archive on Indian folklore. In order to accomplish this goal, the centre had started archiving field documentation of the materials in the form of photos, CDs, audio and video tapes.
At the centre, we have well organised sections for audios, videos, photographs, negatives, slides, compact disc and degitial video disc.
Negatives and slides are organised in the boxes separately designed for this purpose. Compact disc and degitial video disc is being maintained in a new device called the digital CD library
Digital CD Library
The CD Library is a CD/DVD storing and retrieving system controlled by the computer with USB cable. This system has got a software for storing and retrieving the discs. It is simple, fast and efficient. One CD Library machine can store 150 CD/DVD. The retrieval process becomes very easy and fast through the use of key words. The searching process can be done either through category (dance/drama/music/performance/oral narratives/ books/ library/journals/ artists...etc) or with any word that has been computerized.
One of the most advantage of the CD library is that it can adopt one to 127 machines which can store up to 19050 CD/DVD for maximum.
At present the centre has nine machines and 1235 CD/DVD. The CD/DVD contain various categories such as interview, public program- lectures, workshops, photographs, oral narrative, documentaries, short films and music.
Copy of all originals
A copy is always made in the archive for transcription and reference. The master copy is kept in a seperate place.
The materials are organised on the basis of archive, state wise or category wise.
The Index sheet will be covered with butter paper and preserved in plastic leaves. The subject will also be logged in the sheet.
Press clippings are sorted subject wise and filed and indexed. For sample these are some of the subjects
A – Artscape
A 1 – Arts
B – Book Review
C – Caste Issue
C 1 – Community
C 2 – Crafts
C3 - Culture
D – Dalit
D1 – Dance
D2 – Drama
E – Eco Friendly
F – Festival
H – Herbal
L – Life
L1 – Literary Review
M – Madras Scapes
M1 – Magazine
M2 – Media
M3 – Miscellaneous
M4 – Music
M5 - Myth
O – Occasions and Performance
O1 – Other Issues
P – Painting
P1 – Performing Arts
P2 – Personality
P3 – Puppetry
R – Religion
R1 – Rural Issue
T – Temples
T1 – Textile
T3 – Traditional
T4 – Travel
T5 – Tribal
U - Urban
Finding aids & Bibliography
The finding aid is a clear and brief summary on the physical nature and it contains collection details. It also serve as an index for a book and very helpful for the researchers.
Important Points for Finding Aid
Contextual information - This is about the individual or organisation that created the collection.
Physical information - It is about the quantity of materials, formats of records, and physical condition.
Content Information - It is about the people, subjects, specific traditions, and genres reflected in the collection.
Physical access information
- The restrictions are put due to copyright and about the physical condition of material that may affect access and location of the material.
Physical control information
- It is about the container/box or folder lists.
Content access information
- This actually deals with indexes and the indexing terms that will in turn help a user find specific people, subjects, places, events, or forms of records in a collection.
Indexing terms can be created based on the available materials in the archive.
NFSC- National Folklore Support Centre
PA - Performing Arts
DOC - Documentary
TN - Tamil Nadu
MP - Madhya Pradesh
|27||DOC/TN/20||Parathavar of Tamil Nadu||Uvari Thirunelveli-Fisher caste||Direction - S.Simon John -Tamil Nadu||Good Condition|